Olive Groves

 

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Renoir’s Olive Grove, 18×36 Stebner oil on linen

In the oppressive heat of early August, I took refuge in the studio, painting from photos taken at Renoir’s house in Cagnes-sur-Mer,  high on a hill overlooking the Mediterranean, one hot day in June.

Painting from photos is tricky. But I think I’ve come up with a little battle plan to overcome the problems intrinsic to that process: I use the photo to capture the main forms and composition, then I look at it as little as possible. Instead, I call on my memory to relive the feelings I had at that moment to make up for the lack of being on site.

As an Ohio boy, olive trees aren’t part of my visual memory bank. Sure, I’ve seen them over my years of traveling France, but never warmed up to them until I found myself on Renoir’s turf. Walking the grounds, I was smitten by their rustic, craggy silhouettes with leaves fluttering in the breeze, and the cool shade they provided. Suddenly, they were paintable!  Now, armed with tubes of colors, brushes and palette knives, I’ve been pursuing their illusive beauty. As a lover recalls an erstwhile romance, I’m wooed by the memory of their willowy presence.

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Cool Shade, Renoir. 20×36 Stebner oil on linen

I paint with eyes wide open, but remember with eyes shut, the sun, shade, breeze and scents of Renoir’s olive grove, a sacred space in my book. This man’s determination to paint beauty in spite of war, loss and crippling illness inspires me to never give up. I have many more olive trees to paint, but these two will be ready for my show,

For anyone wanting to go one step further into the world of Renoir, I repost three minutes of original footage of the crippled master painting(and smoking, of course!), late in his life.

Three Ring Circus

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Good Times, Provence, 6×8 plein air oil on linen panel

I’ve been home from teaching painting in Burgundy and conducting an Artistic Adventure in Provence for two months now. The old days of writing reflective blogs in France have metamorphosed into teaching/touring sessions every afternoon. If it weren’t for Instagram/Facebook bites, there wouldn’t have been any on-the-spot record at all! But my goal of leading half a dozen artists/francophiles about the countryside has been achieved.

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Joyful Welcome, 20×24 oil on linen

Since returning home, I’ve undertaken a new challenge: to paint larger paintings from the small pochades(sketches) which I created on site. In so doing, the original moment comes to life in an astounding way: the subject, the weather, the brush strokes, as well as the lessons and students(oh yes, we can’t forget the passersby!). Of course, I continue to use photo references of moments that went unpainted for new works, as before.

Additionally,there’s been the business of preparing for my new show, Summer’s Sun,  featuring paintings from this summer abroad. I hope to include a video this year. If you can’t make it to the preview or on one of the Saturdays in September, you can always peruse them  online.

On top of those two projects, I’m back where I left off when I want to France in May, struggling to gain the technological savvy needed to increase my online presence. If only, I found learning the language of technology half as interesting as French or German. Perspective, Bruce! It’s been an artist’s three ring circus, to be sure.

In weeks to come, I’ll reveal more Summer’s Sun in paintings and tales untold while in France. Whether you were with me on tour or follow from home, know that you are a vital part of one happy artist’s life!