Rear View

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Summer Bliss, Bavaria. 12×16. Stebner oil on linen. Price on Request

These first six months in my Hereford studio have been productive and happy. Scarcely a day slips by without a painting session. New students have found their way to the door. It’s a lovely life-rythmn.

Falling leaves finally turned to snowflakes as we had last week. The beauty of studio painting is that I can be in any place in any season with the scroll of the computer mouse. Taking position in front of the easel, I might as well be in the boarding line at the airport and lifting a brush is a safe landing anywhere I want to be.

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Wellies and Wheelbarrow, 16×20 Stebner oil on linen, price on request

This week was a time to revisit favorite memories while welcoming students and a favorite client, returning for new Stebner’s for his collection and gift giving.

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Afternoon Aperitif, 12×16 Stebner oil on linen. Price on Request

Snowy January afternoon warming by the fire on a farm in the Auvergne. A sunny June on the bavarian Chiemsee. Strolls in a walled secret garden in Burgundy. Or watching a Burgundian gardener.

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Paisley, Peonies and Iris. 16×20 Stebner oil on linen. Price on Request

Finishing the second of these two garden folk, I realized something was going. I’d painted two out of three of the subjects from the back. I first questioned my inner world for doing so, but then realized it’s the mystery of what isn’t seen as much as what is that draws in the viewer. You can follow these gardeners safely into their private worlds without being confronted face to face. You can look through their eyes rather than into them. That’s another subject for another season.

Who dares follow me to Burgundy or Provence to see France through my eyes in June? Time is running out!  Click here or contact me directly to open the door.

 

 

Reflections

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Pots and Pans, 20×24 Stebner oil on stretched linen

Mild as it was, January is over. Some of its goals have been accomplished. Others remain. Working in my new studio, I did revisit a number of subjects, from places to paintings. With new techniques, I reworked some old paintings.

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Kitchen Bits, 6×8 Stebner oil on linen panel

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Corner of Giverny, 8×10 Stebner oil on linen panel

After two years, I revisited the self-portrait, this time using the limited palette of Anders Zorn.

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January 2016 Self-portrait, 12×16 oil on linen

Now it’s the beginning of February, and as I have begun planning for my teaching stint in France in June(several spaces remain…), my mind was drawn back to January of 2013, when I was solo-treking through central France, including the bogs(marais) of Bourges, where the townsfolk have private garden plots, naturally irrigated by the canals. Although I was immediately smitten with this mysterious place, at last I’ve begun see the paintings they offer. I guess I had to mature through three cancer treatments(and a lot of paint, c’est clair!) in order to finally know how to paint them. Gray is sublimely colorful and shadows are as beautiful as sunlight.

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Marais at Sunset, January 6×8 Stebner oil on linen panel.

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Punting the Marais, January. Stebner 6×8 oil on linen panel.